Jack White’s new interactive music video for song That Black Liquorice is interesting…
It’s a combo of a three in one video. White himself directed one – the live action music video. While two other folks James Blagden and Brad Holland made an animated work and a headbang video respectfully.
The video can be seen on tablets and computers and using commands you can flick between each one.
It’s a bit of a different spin on a music video. Incorporating interactive and animation mediums, which genuinely are a growing trend!
A plethora of films will be screening that encompass twenty-one feature films and seven short films! Additionally there will be performance pieces and an installation. One fantastic element is that a lot of the directors will be around for post-film discussions!
The opening night will feature the new film by Stanley Nelson The Black Panthers: Vanguard of the Revolution. (Still from film shown above). Richly researched, director Nelson draws on all spectrums- from FBI informants, journalists, white supporters and so forth to get a solid detailed historical chronicle.
Tomorrow Is Always Too Long also looks like a ripper. Partially because it is directed by Phil Collins and also because it’s a hybrid of many cinematic elements; documentary, musical, animation, and television. Essentially the film is about Glaswegians navigating “the intersection of public institutions, the digital age, and ordinary life.” Sounds compelling.
Full list of all the interesting films being screened can be viewed here.
Some of us may have faint imaginings as to what our future world will look like once the more deep set effects of climate change settle in. To many of us however, the consequences of climate change are yet to pummel our severity radar, as visually we are not necessarily seeing drastic effects in everyday life.
Indeed the Earth is set to warm another 2 to 11.5°F this century and artist Evgeny Kazantsev has taken matters under his own artistic wing, to illustrate how some cities and other landmark locations may appear in conditions obscenely regurgitated by the effects of climate change. His surrealist images offer glimpses into alpine regions devoid of snow, a dry Venice canal, boats littering its floor like a cemetery, tourist hotspots obstructed by a dust storms and so forth.
Kazantsev’s works provide an alternative platform to engage audiences to the realities of what the not too distant future could look like in a truly evocative fashion!